Heli HSU: “Post-Impressionism in Modern China: the Modern Artist, Artistic Practice, and the Role of Tradition” (begonnen 2022)
KUANG Yue: “Pictures of Strange Animals during the Ming-Dynasty (1368–1644): Authority, Knowledge, and the Power of the Image” (begonnen 2023)
LIM Gayoung: “Cultural Exchanges between Korean Peninsula, China, and Japan from the MIddle of the 6th Century to the Middle of the 7th Century: An Interpretation of Regional Information through Korean Pensive Bodhisattva” (begonnen 2022)
Nora WÖLFING: “Visions of Futurity in Contemporary Art from the Sinophone Region” (begonnen 2022)
YANG Yini: “Destroying Socialist Spaces: China's Avant-Garde Exhibitions in the long 1980s” (begonnen 2022)
ZENG Siyi: “Familial Landscape: The Zhao Family of Wuxing and the Production of Mountain Dwelling Painting in Fourteenth-Century China” (begonnen 2023)
Von Prof. Jeong-hee Lee-Kalisch betreute Dissertationen
CHEN Cheng: “The Huayan Cave: Art and Belief of Popular Buddhism of the Song Dynasty (10th-13th Century) in Sichuan”
JIANG Yuwen: “Body Fragments and Romantic Residues — Between Abstract Narrative and Narrative Abstract in Chinese Avant-garde Calligraphy”
KIM Hyun Young: “Die Bedeutung der koreanischen Künstlerin NA Hye-seok im Spannungsverhältnis zwischen Tradition und Moderne”
KIM Seoyoung: “Das Werk des Künstlers Do Ho Suh als Beispiel der zeitgenössischen Kunst aus Südkorea: Das Transkulturelle als künstlerische Strategie”
Petra PÖLZL: “The Aftermath of Shock Wave Art. Performing Political Subjects/Performance Art in China”
Ruth Sonja SIMONIS: "From Trade to Treasure: The Development of Augustus the Strong´s East Asian Porcelain Collection, 1699-1733"
TIAN Lu: “Transmission der buddhistischen Darstellungen auf den Seidenstraßen: Analyse der Fundstücke aus der Qigexing Tempelanlage im rituellen Kontext”
YANG Piaopiao: “Rock as Subject Matter in Chinese Painting and Painting Manuals”
YANG Ya-Ting: “The Role of France in Modern Chinese Art 1911-1976”
ZHAN Qian: “The Mental Portrait of Yimin: A Case Study on Zheng Sixiao and His Ink Orchid from the Perspective of Psychoanalysis”
ZHANG Xuansu: “Gewebte Ornamente mit Schriftzeichen aus dem Tarimbecken: Jin-Seide im transkulturellen Kontext, 1.-4. Jh. n. Chr.”
ZHOU Jian: “The Ten Austerities of Liu Benzun in Piludong, Anyue, China”
Von Prof. Annegret Bergmann betreute Dissertationen
Anna-Luise BIERNATZKI: "Zwischen Tradition und Moderne: Der Maler Shiokawa Bunrin (1808-1877) und die Kyotoer Kunstwelt ab den 1850er Jahren" (begonnen 2024)
Martyna LESNIEWSKA: "Craftsmanship and Cultural Authority: The Nagasone School and the Evolution of Armor Aesthetics in 17th Century Japan"
